My main medium is photography. Seduced by the documentary potential of the image, my first projects were in a « classic » documentary vein, but the hybridity of the medium soon caught up with me. I then returned to my first profession as an actor, and began to question the theatrical dimension of images and documents. Without denying the documentary potential of the image, it seems more appropriate to admit that the theatricality of the document is inherent to its emergence. Through the use of so-called «poor» documents (screenshots, smartphone images, low-quality scans, etc.), the appropriation of visual and literary content, video and photography, I explore this friction between document and theatricality or fiction. My projects tackle the themes of time, intimacy and the ordinary, everyday life and the impact of digital technology on the latter, in a posture that claims to be
non-commercial and even, as far as possible, non-capitalist.
Image from the serie COMFORTSUPER, 2020